Thursday, April 4, 2013

NANPA High School Scholarship Program

From left to right: Lione Clare, Tim Harding, David Moynahan, Sophie Harrison, Mark Kreider, Larkin Keys, Missy McDonough, Ray Pfortner, Avery Locklear, Carolyn Derrington-Tate, Victoria Cruz, Jenaya Launstein, Mac Stone
The North American Nature Photography Association annual summit was a success this year in Jacksonville, Florida. As always, it was an incredible experience and great to see old friends and a fresh batch of high school scholarship students. This year I was lucky enough to be chair of the scholarship program which is really great considering that 11 years ago it was me who was one of the students attending the summit in Albuquerque, New Mexico. What a full circle!

NANPA High School students around a fire on Cumberland Island
As chair of the program, I wanted to mix things up a bit and try something new. In years past, we would stay at the summit hotel then make day trips out to various locations to shoot. Since I was so familiar with the area already, I knew there was a great opportunity to actually spend a few nights out in the field, camping with the kids and really focusing on making images from dawn to dusk and well into the night. First, though, was assembling a team of instructors: Ray Pfortner, David Moynahan, and Carolyn Derrington-Tate. Along with a solid team, we had great sponsorships this year from Canon, Wimberley, Manfrotto/Bogen, Delkin, and Hunts Photo and Video.

Victoria Cruz runs through a tidal pond on Cumberland Island while photographing wild marsh tackies
While camping, we had our fair share of obstacles. The weather was not cooperating and it poured for the first day and a half. Still, the kids kept their positivity and thrived in the less than optimal conditions.  We ate delicious meals around a blazing campfire, chased wild horses around the tidal marshes, and braved the winds and sands of Cumberland Island's coastline. The images the students made were absolutely stunning and they all have a bright future ahead of them.

Victoria Cruz, Lione Clare, and Sophie Harrison photograph wild horses on Cumberland Island
After the full week of photography, workshops, and keynotes, the students had a chance to showcase their images to more than 400 photographers on the last evening just before Art Wolfe gave his lifetime achievement speech. The students had 15 minutes to present their work and here is the video of that speech. I can't tell you how proud I am to have spent a week with this brilliant individuals.


Sunday, March 17, 2013

Cangrejal River - Bejuco Waterfall - Honduras


If you haven't been following along on my Facebook Page, then you missed out on a fun 2-week blog-style story. No problem, though, I'll share the love here too.


Along the Cangrejal River in Honduras is a lush wall of tropical forest at the border of Pico Bonito National Park. Cascading down from one of the verdant cliffs is a massive waterfall called Bejuco Falls. While living in the small town of Las Mangas, a friend and I set out to explore the primary forests and hike up an unmapped trail of the waterfall system, into the heart of the national forest.



The journey begins in the basin of the Cangrejal River. On either side, the Nombre de Dios and Pico Bonito tropical forests hug the river, providing a biological paradise of many endangered species and incredible vistas. My friend Jonathan Zoba and I set out to explore these forests and transect the Bejuco Waterfall which drops 150ft from primary forest into the river below. 

I wanted to do this not only for the sake of adventure, but to chase a certain photo I had envisioned for over a year. This series of photos will bring you into that world and show you some of the beautiful landscapes, the dangerous situations, and the eventual payoffs for what would be an unforgettable trip.


When planning for this trip, the first thing we had to consider was seasonality. If we were hiking up a waterfall system on top of a mountain, the last thing we wanted would be a flash flood that could wipe us off the trail, or disconnect us from getting back home. So we waited until the height of the dry season where we could more easily climb waterfalls and push into the forest.

In the wet season, just a day of rain is enough to turn a peaceful river into a raging torrent, destroying everything in its path. If you look closely in the image above, you can see two people atop the granite for scale. This is the Cangrejal River, where Bejuco waterfall pours into.


When the water levels dropped low enough, Jonathan and I packed up our gear and hitchhiked on the back of a vegetable truck winding down the river road. Soon the small farms and bean plantations disappeared, gradually replaced by primary tropical forest as we neared Pico Bonito National Park. We were heading into one of the most ecologically diverse habitats of Honduras, attempting to transect a mountain without trail or maps. Luckily there were plenty of other signs along the way that showed us we were headed in the right direction.


Into the National Park, the canopy floor was thick with colorful vegetation of all kinds. We managed to gather some of these small palm nuts which taste like miniature coconuts. We had a couple of hours before we would make it up and down the dense ridges to arrive at the base of the waterfall.


We finally made it to the base of Bejuco Falls, and then looked up to the top where the water was spouting out like a massive jungle faucet. So, we started bushwhacking up the ridge of the mountain at an incredibly steep angle, holding onto whatever small trees and vines we could for secure grounding. Light was fading fast in the late afternoon and we were determined to get to the top before dusk to set up camp and build a fire.


When we got to the top, the sun was setting and clouds started moving in through the canopy. We were a little worried because our plan for camp was to stay right next to the waterfall's source. If it rained, this could be a big problem. The clouds were temporary though, and pushed through. Jonathan and I found a spot right next to the waterfall and set up our camp. The adventure was the thought of what was ahead, along that tropical jungle mountain stream. We had no idea what to expect. That night, I set out the gear and began to figure the logistics for an image I've been envisioning over a year. First, though, we would need to make a fire and put some hot food in our stomachs.


For those of you who know me, and those that have camped with me, know that - besides my camera gear - I like to pack light. Primitive camping is the way to go when on a trek so while doing the transect, Jonathan and I decided to go with hammocks to keep us off the potentially wet ground. Here's an invaluable camping tip... for a stove, we just brought a can of beans and ate them first thing and opened the can only halfway to have a top. Then, we cooked any noodles and boiled water inside just by sticking it in a fire. Easy! Sure, it gets a little charred and nasty on the outside, but inside is pure flavor.



And then we wake up to this. Atop Bejuco Waterfall looking down on the Cangrejal River, Jonathan Zoba takes in the "cuenca" or watershed. We brought climbing rope for safety issues along the unknown trek and also for a photo I had been envisioning for more than a year. This is just the beginning!


After a solid breakfast we started our trek, up the creek bed. After only a few minutes of hiking we came to our first unnamed waterfall and subsequently, our first obstacle as we wanted to continue hiking into the primary forest. Here, Jonathan and I are assessing whether or not to try and climb the slippery rocks, or to just find an alternate route. Little did we know, but this would be the first of many to come. And since it was an unnamed waterfall, we decided to call it "Tamagas Falls," for what happened next..


Deciding not to risk a major injury so early on by climbing the waterfall, we skirted the edge and started climbing up the ridge. It was extremely steep, so we committed fully to each step grabbing at the ground and understory and lunging forward trying not to lose momentum. Hurrying is a dangerous game and it almost cost me dearly when I reached forward and came inches from setting my hand on this jumping viper. When my eyes saw the coiled form just in time, I reeled back and nearly slipped down the side of the mountain. 

Can you see it?

These pit vipers are called "tamagas" by the locals and is a general term in Honduras to describe many different venomous snakes. As remote as we were, a bite on the hand could have very well been fatal. I don't think I would have seen it in time had I not spent several years exploring the forests and slowly calibrating my eyes. I got really lucky on this one, and we pushed onward paying a little more attention to the ground beneath us.


Once we made it past the Tamagas and the first waterfall, we came to a series of small waterfalls and rock outcroppings. The trail was almost entirely water and with minimal supplies, we were able to cover some serious ground. For my camera gear, I took a medium-sized daypack because it was top-loading, and then stuck a dry bag inside with towels for padding. That way my camera was accessible and I didn't miss a beat when Jonathan was doing something awesome like this. When we came over the top of these small waterfalls, the view was absolutely incredible.


Coming up over the last small waterfall, my head peaked over a boulder and I saw this. A massive opening in the canopy and a long trail of falling water disappeared into the forest. I couldn't believe my eyes. It's hard to translate the scale here, but imagine the first boulder in the foreground as tall as I am (which is like, giant massive). We tried to climb all the way to the topit became too steep and slick, so we headed back into the dense forest for an alternate route. We came to a cliff about 25 feet high and saw no way of getting around it until we noticed a vine dangling from the branches of a nearby tree. Assuming its strength, we started climbing. We would later call this waterfall "Broken Vine."



After a near fateful fall off Broken Vine, we got to the top and continued onward. We heard howler monkeys, saw plenty of tracks, and also found this green parrot snake. Only mildly venomous, and not really harmful to humans, I wasn't too afraid of handling it for a photo.


Heading further into the forest the trees got bigger and the hand of man disappeared entirely. At these heights and depths, the massive cedars, san juans, and mahogany trees were left untouched. At the lower elevations and surrounding the national park slash and burn agriculture is rampant. It was great to come to the next waterfall and see this massive san juan stretched across the basin almost completely intact, serving as a nurse log for the next generation. At this point, the sun started getting low and we were far from camp. We decided to keep pushing onward, but a little nervous about coming down the mountain in the dark, especially after the jumping viper incident.


As we pushed forward we found a good spot for an early dinner and a quick swim in a waterfall pool. By that time we really needed it. For our dinner, we simply found some kindling, made a fire, and stuck our cooking can on top, boiling water from the creek with dried noodles; couldn't be easier. About this time once we each drank our fill of water, ate dinner, and arrived at the last waterfall, we decided it was time to head back to base camp. We considered sleeping there for the night and continuing onward in the morning, but I had a photograph in mind that was gnawing at me, and I had to be back at Bejuco for it. So, we headed back through the night, down the mountain.


Well, we pushed it as far as we could while we still had light. The last waterfall we climbed was merely a trickle and provided a natural clearing for a wonderful view of the tropical canopy. Even though I was hesitant to go back to camp, I was really excited for sunrise to attempt the iconic image that brought me up this mountain in the first place. Bombing down the way we came up, we made quick work descending the waterfall trail. There was barely a shred of light when we arrived at Tamagas Falls, and sure enough, the jumping viper was still coiled up in his same spot. We felt lucky to have made it back to the base camp, and we built a fire and celebrated our day with a warm cup of noodles. The morning would bring one of the most memorable sunrises I've ever seen.


After a much-needed deep sleep on top of Bejuco Waterfall, I awoke to this. Beautiful predawn light spilled over the cuenca and dappled on the waterfall which plunged some 150 feet into the tropical forest below. In the distance the Cangrejal River meandered with its bleached white granite boulders lining the shores. It was an incredible sight and I made a few images, but they didn't quite capture the scene as I wanted. And I guess I lied a little. I didn't wake up to this. It would be more correct to say that I woke up two hours before this scene to start setting up for a different image, one that I had been dreaming about for over a year. It would be dangerous, perhaps foolish, as I would soon find out, but ambition and caution don't always make the best couple.


It was a crazy idea but I knew it could work if we just planned it out thoroughly. I wanted to rappel halfway down the waterfall and photograph it cascading down the mountain as the sun crested the Nombre de Dios mountain range. Photographically, this would be a difficult image. I needed stability for slow shutter speeds and high depth, so I brought a tripod which I tied to the line. There would be a big difference between the light areas and the dark areas of the frame so I brought gradual neutral density filters to balance the exposure. Then there's the technical aspect of rappelling down a 150-foot waterfall. 

Well, at least everyone told us it was 150-feet. Since we were in Honduras and I didn't have my climbing gear with me (this country is not known for its climbing), I needed to borrow equipment. When borrowing equipment that your life will depend on, you need to know with 100% certainty that gear is dependable. I found a friend who I knew took care of his gear and he loaned me two harnesses, rope, and carabiners. With a 180 feet of rope, the plan was to rappel down the waterfall, make the image, and then meet up with Jonathan at the base to head home. It was a good plan, but is not what happened. 

When I cleared the first large bump of the cliff's facade, some thirty feet down I realized that the end of the rope was dangling, not touching the ground. Bejuco was much taller than 150 feet and all of a sudden I was overwhelmed by the visceral fear of how I would get out of this jam. I couldn't go down, the sun would soon be up, and the rock face was too slippery and loaded with vegetation to climb. Shit. So much for a solid plan. All I knew was that I wasn't going to leave this cliff face without the photo I came for.


After all the mishaps, adventure, and discovery, this was the best possible way I could imagine to finish the Bejuco Mega Transect. I had been dreaming about making this image for a long time and as you all know by now, there were many obstacles standing in the way, which made capturing it all that much sweeter. Bejuco waterfall is one of the last sources of clean water supplied to the Cangrejal River before it empties out in the Caribbean. The relationship between healthy tropical mountains and the precious lifeblood of water can never be understated in this area and this image would be my homage to that age-old bond. 

Kicking out horizontally from the cliff's face, I extended my tripod legs to form a monopod and gripped the camera tightly with one hand while positioning the grad ND filter with the other. It was tricky.

Looking down some 150 feet at the pristine jungle water crashing on the boulders below, it took a lot of focus to give the proper attention to the image before thinking about climbing to safety. I soaked up the scene for a good twenty minutes before I found a solution, since going down was no longer an option. 

I was lucky enough to bring some extra climbing-grade cordage with me to hold my tripod and the camera while rappelling down. Since down meant death, I had to go up. I fashioned two Prusik knots with the extra rope and made big loops where I could stick my feet. Then, slowly but surely, I ascended the rope the old-fashioned way, inch by inch, using the friction of the knots to hold my weight on the main rope. I felt foolish to have been in that situation but never happier than when I reached solid ground and saw Jonathan standing wide-eyed. We hugged it out in true bromance fashion, and he howled when I showed him this image. What do you think, was it worth it? 

For me, without the story, the image is often one-dimensional. I hope you enjoyed the journey. It was an incredible three days and one of the most memorable adventures I've ever lived. Of course, we still had to get down from the mountain and hike back to Las Mangas some twelve miles from where we were. Despite all the close calls, it's only appropriate that it would be the return where something bad finally happened.

I've always heard and believed that when on a long hiking trip, there's nothing worse than wet boots. Well, I proved that old adage wrong pretty quick. It is much worse to have to hike back 12 miles after lacerating your foot because you're hiking in sandals. 

This happened when coming down from the waterfall and a loose rock rolled down the hill and slammed into my ankle. I tried duct-taping it shut but it wouldn't stick so instead of dressing it properly, while I still had adrenaline pumping I just started running down the mountain. By the time I got to the bottom it was excruciatingly painful. 

At the trail head, I hitched a ride with a school bus and they made me stand in the doorway so I wouldn't track blood everywhere.

Fortunately, I made it back to Las Mangas in time to clean up the wound. There was only a mild infection and I still have a nice scar to remind me to hike a little more staggered from my uphill friends in the future.

Saturday, January 19, 2013

Sandhill Cranes - Mycotoxins


In an ecosystem rife with bobcats, coyotes, alligators, vultures and snakes, it's rare to see a dead animal without any apparent wounds. So when I stumbled on this scene in Kanapaha Prairie I asked myself, what could have done this? I recently posed this same question to a group of fans on my Facebook page and surprisingly, two of them had the right answer. 

Sandhill cranes fly over Kanapaha Prairie - Gainesville, FL -  Photo ©Mac Stone

The sandhill cranes' arrival in Florida is the sure sign of winter. They come in with the staccato trumpet calls that pierce the morning air and echo through the prairie's live oak rim. Their migratory populations have ebbed and flowed over the years on the prairie, some years with over 1,500 individuals and other years only a few dozen. There doesn't seem to be a solid explanation for this, but some believe its due to the amount of dog fennel that grows up to 6 feet high and gives the cranes a natural barrier from potential predators like coyotes and bobcats. Without the vegetation, they simply pass over the prairie and onto greener pastures. 

Sandhill cranes at sunrise on Kanapaha Prairie - Photo ©Mac Stone

One of my favorite things in the winter is to go out and photograph the sandhills at sunrise. When polar fog exhales from the wetlands, their silhouettes dot the horizon and make for some great images. On these mornings though, I'm not the only one stalking birds. If sandhills usher in the day with their calls, then coyotes are the denizens of the night. Their mad cackling can be heard from a mile away and I can't help but wonder while I'm sitting around the backyard fire, what they're howling about. No matter how close they sound, every time I go looking for them they're nowhere to be found. After their raucous nights, though, I'm always certain to find the remains of their prey in a cloud of feathers on the cold prairie floor. 

A lone coyote stalks a flock of sandhill cranes on Kanahapa Prairie - Photo ©Mac Stone

So it was curious to me, the morning I stumbled upon the dead sandhill, left untouched. Then I started replaying the previous day's events and images, and I knew the answer immediately. Out of the flock of cranes I had been photographing the day before, when all others flew away as I approached, there was one crane who stuck around. At first it looked like it had an injured wing as it fumbled about,  hopelessly attempting to fly. 

Sandhill crane infected by mycotoxin, fusariotoxin - Kanahapa Prairie - Photo ©Mac Stone

Not wanting to stress the bird or cause it any more pain if its wing really was injured, I stayed back and watched it for a while. It was really sad to watch. The crane would call out to its flock in a broken shrill and the others didn't respond. It's limp neck eventually lost all mobility and hung low as if paralyzed. In the deeper water, it could barely keep its beak high enough to breathe. I apologize for the graphic photos.

Sandhill crane infected by mycotoxin, fusariotoxin - Kanahapa Prairie - Photo ©Mac Stone
Finally, I wrote it off as a strange injury and went home knowing it would soon turn into food for the prairie. The next morning when I saw the sandhill laying dead in the water where I saw it yesterday, I wondered how long through the night it suffered, as this was almost certainly the same bird. The images of its broken body were hauntingly fresh in my mind, so I did some research to see if anyone else had documented this behavior. What I found was alarming. 

According to the National Wildlife Heath Center, this paralysis and eventual death is caused by a toxin produced by a fungus found in corn and peanuts, called mycotoxin, or more specifically, fusariotoxin. Fusariotoxin will cause a flaccid paralyses of the neck and wing muscles as well as neurological damange. Wild migratory waterfowl like cranes poisoned by this fungus have thus far only been documented in Texas and New Mexico from contaminated grain fields. Cranes can ingest the fungus while foraging during low temperatures when other food sources are unavailable. Who's to say where the bad corn or peanuts were eaten; it could have been in Georgia a few weeks prior. According to biologists, there are about 300 cases in Florida each year, but this series of photos is the only ones I could find in Florida, although I've seen this condition twice on Kanapaha Prairie alone (if there are other accounts of this in Florida, please let me know in the comment section below). 

Thanks for reading. If you'd like to read up a little more on this strange condition, click here, or here. Also, as a side note, I did not do an autopsy on the bird, so for scientific purposes I have to say that based on my field observations alone, I put mycotoxins as the probable cause of death. 

Sandhill crane, probable cause of death: mycotoxins from molded grains - Kanahapa Prairie - Photo ©Mac Stone

Monday, January 7, 2013

The Shadow of Superman

Larry Heaton conquers Savage Mountain in Orlando, Florida - August 2011
As long as I can remember, every year my family traveled up to Virginia for Thanksgiving to visit our cousins, uncles, and grandparents. It was always a big celebration lasting 4 or 5 days, with no one wanting to go home at the end. Our family is tight. From the oldest cousin to the youngest, we are a band of brothers. When all the ten male cousins were younger we would play a big game of tackle football which we called the Gravy Bowl. It was the highlight of the year. I dreaded the plays where Larry, my uncle, got the ball. His 6'7'' 245lb frame would barrel down the field and my only hope to stop the touchdown was to jump on his back and dangle from his neck until the ground rumbled with his fall. Sure, he could have carried me with his free arm while hurdling the other eager cousins if he wanted to, but he played along and gifted me the glory instead.

Larry always did that. He loved letting other people shine and even when he wasn't extending any uncommon courtesies, it just felt good to be around him. I looked forward to our fireside chats every year. He would recount his latest adventure in humble tones, passing off such mountainous hurdles like summiting Mt Rainier or whittling away at the Appalachien Trail while carrying large rocks in his pack, as if they were mere tasks on a to-do list. There's a wall in the Heaton house that is littered with medals and artifacts of his adventures and when old enough, his sons, Daniel and Matt came with him.

At 55 years old, this past November, my uncle Larry had just completed an ultramarathon. He ran 55 miles from 8:00 in the morning until 1:30 the next morning, only resting for twenty minutes. When I asked him what kept him going, he said that for each mile, he recalled each year of his life and relived the miles of memories with his high school sweetheart Betty, his sons, work, and friends. His commanding presence and brick build were secondary only to his fortitude as a person.

Larry's motto in both personal and business life was simple: "Leave on a good one." Don't walk out of the room, come off the mountain, or turn the light off before knowing you had given the day your best.

Only two weeks after we all held hands and said a blessing for the future of family over Thanksgiving, Larry died in a car accident. Hundreds attended his funeral; so many that they had to set up televisions in the basement of the church he helped build so other friends could watch the service. People traveled from all over the country to pay their respects.

I realize now, that as I grew up, my childish adoration and reverence for Larry never really matured. I always felt physically and emotionally adolescent next to him, but in a way that made me want to push harder, so I too would have something to talk about when we sat by the fire.

I will forever remember him as the mountain who conquered mountains and the Superman who proved to the world that a body is merely a vehicle for great things.

Larry with family Daniel, Betty, and Matt Heaton at Thanksgiving in Collinsville, VA - November 2012

Monday, December 17, 2012

Garden and Gun Shoot - American Grocery - Greenville, SC


It's funny to me when talking to my friends in Tennessee and South Carolina how they write Florida off from the confederation of southern states. To many, Florida is the vestigial appendage that doesn't quite fit in with the others. There's probably some truth to that with all the northerners who have come down in their later years, but I always took a little offense. With latitude aside, I grew up with Southern Living magazine on our coffee table, bronze pineapples on the front door which I would always hold open for my mom or any other females that walked through, and I'm pretty sure there were a few monogramed towels laying around the house as well. So why weren't we part of southern club?

Sure, there's some dirty history with the South, but there's also a lot of rich culture and tradition so I felt a little shafted knowing I was left out of that group. Then, miraculously, in 2007 a magazine called Garden & Gun hit the newsstands, highlighting southern culture from Virginia to the Bahamas, including Florida, and we were all suddenly part of the same coalition of states that reveled in food-coma-inducing cuisine, outdoor recreation, and bootleg culture. I loved this magazine, maybe in part because it venerated me but also because that southern pride showed through every aspect of the publication. With heavy stock pages, beautiful photography, and soulful writing, Garden & Gun quickly became one of the hottest magazines in the US during their first year.

From that moment on, I've always wanted to shoot for Garden and Gun. Their stories are compelling, the imagery iconic and original and their pages swell with pride for this intangible thing we all call southern. A few weeks ago I finally had a chance to lend my camera to their magazine and I'm hoping this will just be the start to a long lasting relationship. Here are a few photos from the shoot at American Grocery during the Harvest Dinner in Greenville, South Carolina. For more images, though, you can go to the website and browse the event here: Autumnal Harvest Dinner

In terms of photography, it was a tough shoot. Low light and lots of movement made the event difficult to cover. I managed though with two camera bodies: Canon 5d mkii and Canon 7d. One of the bodies worked a 50mm f/1.4 and the other a 70-200mm f/2.8, an overall good combination for these sort of shoots. I also used a strobe to add fill by bouncing off the ceiling. While certainly it's a break from the normal natural history images, it's fun to keep the creative brain fresh and challenged and hopefully this event will lead to something bigger. You just never know.







Monday, November 26, 2012

Everglades Keynote - Miami Beach

Skimmers at Sunset - Everglades National Park - ©Mac Stone
If you're in the South Florida area on Wednesday November 28th, join me and Audubon in Miami Beach for a wonderful evening of food, wine, and photography, which is always a winning combination. I'll be giving a keynote on Everglades conservation and the work Audubon has been doing to protect one of our national treasures.

For more information and to reserve your spot, follow the link: Mac Stone Everglades Keynote Invite


Sunday, November 11, 2012

Savage Race - Little Everglades Ranch

US Navy Seal Savage Hank Abbitt - Photo ©Savage Race/Mac Stone
Well, the boys at Savage Race have done it again. Each event has eclipsed the last and on October 20th at Little Everglades Ranch in Dade City, Florida, they proved to 4,000 adrenaline junkies that they're the official peddlers of pain in the mud race community. In a span of only six miles they built 25 brutal obstacles including the three-story "Colossus," a twisted half pipe which leads to a swallow-your-stomach water slide and the innovative "Evil Bars," which is the silverback gorilla to other races' playground jungle gyms.

Starting line stampede - Photo ©Savage Race/Mac Stone
Again this year, I was assigned to shoot the race and was stoked to know the participants would be slogging through a mini version of my favorite stomping grounds, the Everglades. As always, it was a tough shoot accounting for a large area, harsh light, and of course, high intensity mud-slinging. All throughout the day I was climbing atop obstacles, chest-deep in water, or waist deep in mud. By the end I felt like I had run the race several times over.

Walkers on the "Nutt Smasher" - Photo ©Savage Race/Mac Stone
My approach to shooting these events is to make sure I get right in the middle of the action, or sometimes right below it. I've found that if I'm not physically engaged with course, then my photos will feel detached too. This philosophy can be dangerous for equipment, but much like wildlife photography, the safest option usually produces "safe" images and the Savage Race crew wanted edgy. So I tried to give them edgy.

Diving over the fire pit - Photo ©Savage Race/Mac Stone
Here's a handful of some of my favorites from the day as well as a few shots just to show you some of the obstacles. If you're into mud races and a day of fun with your friends, then you need to go and register for one of their upcoming events. Savage Race is creating the new standard for obstacle racing.

Starting line - Photo ©Savage Race/Mac Stone
Hay Stacks - Photo ©Savage Race/Mac Stone

Championing the Hay Stacks - Photo ©Savage Race/Mac Stone

Captain America helping a friend up "Colossus" - Photo ©Savage Race/Mac Stone

Nutt Smasher - Photo ©Savage Race/Mac Stone

Not quite up the Colossus - Photo ©Savage Race/Mac Stone

Grinding the Evil Bars - Photo ©Savage Race/Mac Stone

Colossus half pipe - Photo ©Savage Race/Mac Stone

Tazed N Blazed - Photo ©Savage Race/Mac Stone

Gettin Tazed N Blazed - Photo ©Savage Race/Mac Stone

Priceless face before getting shocked - Photo ©Savage Race/Mac Stone

Fire jump - Photo ©Savage Race/Mac Stone

Evil Bars - Photo ©Savage Race/Mac Stone

Shriveled Richard - Photo ©Savage Race/Mac Stone

Colossus - Photo ©Savage Race/Mac Stone

Scaling the 96'' Stiffie - Photo ©Savage Race/Mac Stone

Nuff said - Photo ©Savage Race/Mac Stone

Greg Stone hangin on the Evil Bars - Photo ©Savage Race/Mac Stone
Davy Jones' Locker - Photo ©Savage Race/Mac Stone
Backflip off Davy Jones' Locker - Photo ©Savage Race/Mac Stone

Hank Abbitt rockin the Evil Bars - Photo ©Savage Race/Mac Stone

Savage Race founder Sam Abbitt trying his Wicked Bars - Photo ©Savage Race/Mac Stone
Air Force team looking for their keys - Photo ©Savage Race/Mac Stone

And my favorite photo of the race: the Air Force team breaking into their own car to get their keys out.